In her White series, Timm crafts and photographs delicate scenes reminiscent of classical marble sculpture and traditional still life backdrop in their cold hardness and flowing drapery, respectively. Timm utilizes minimalism in these scenes to emphasize the importance of looking - of seeking out the artistic foundation the photograph is built on - by forcing the viewer to conscientiously seek out the image itself.

These images strip conventional imagery down to its lowest point and straddle the line between form and nothingness, encouraging the viewer to actively search for form, explore the subtle differences in apparent sameness, and contemplate what each image may look like at its highest level.